Fonds F154 - Cara Gay Driscoll Fonds

Title and statement of responsibility area

Title proper

Cara Gay Driscoll Fonds

General material designation

  • graphic material

  • object

Parallel title

Other title information

Title statements of responsibility

Title notes

Level of description

Fonds

Reference code

CA URASC F154

Edition area

Edition statement

Edition statement of responsibility

Class of material specific details area

Statement of scale (cartographic)

Statement of projection (cartographic)

Statement of coordinates (cartographic)

Statement of scale (architectural)

Issuing jurisdiction and denomination (philatelic)

Dates of creation area

Date(s)

  • Undated (Creation)
    Creator
    Driscoll, Cara Gay

Physical description area

Physical description

Publisher's series area

Title proper of publisher's series

Parallel titles of publisher's series

Other title information of publisher's series

Statement of responsibility relating to publisher's series

Numbering within publisher's series

Note on publisher's series

Archival description area

Name of creator

(1946-)

Biographical history

Cara Gay Driscoll was born in 1946 in Regina, Saskatchewan. From 1962 to 1986 she was a full-time mother and homemaker, while also managing part-time bookkeeping and painting. However, in 1986 Driscoll attended the University of Regina, initially to pursue painting but soon discovering an interest in clay. In 1993, Driscoll went to the University of Northern Territory in Australia to work under Jack Sures.
Driscoll's hand-coiled vessels require a significant amount of time and intense dedication to complete. Using this traditional technique, Driscoll creates works that reflect historical, spiritual, and natural themes. Her 2000 exhibition The Forgotten Women of the Bible was inspired by a desire to give voice to biblical women, while 2003-2005's The Path to Mary seeks to acknowledge the contributions that others have to making art meaningful.
Driscoll's pieces have been exhibited at several galleries including the Canadian Clay and Glass Gallery (Waterloo) and the Assiniboia Gallery (Regina). Recently, her work was also part of the 2010-2011 traveling exhibition “Prairie Excellence.”

Custodial history

Scope and content

Notes area

Physical condition

Immediate source of acquisition

Arrangement

Language of material

    Script of material

      Location of originals

      Availability of other formats

      Restrictions on access

      Terms governing use, reproduction, and publication

      Finding aids

      Associated materials

      Related materials

      Accruals

      Alternative identifier(s)

      Standard number

      Standard number

      Access points

      Subject access points

      Place access points

      Name access points

      Genre access points

      Control area

      Description record identifier

      Institution identifier

      Rules or conventions

      Status

      Level of detail

      Dates of creation, revision and deletion

      Language of description

        Script of description

          Sources

          Accession area