Bereich 'Titel und Anmerkung zur Verantwortlichkeit'
Haupttitel
Allgemeine Werkstoffbezeichnung
Multimedia
Paralleler Titel
Andere Titelinformation
Titelangaben zur Verantwortlichkeit
Anmerkungen zum Titel
Erschließungsstufe
Signatur
Bereich "Edition"
Edition statement
Edition statement of responsibility
Class of material specific details area
Angaben zum Maßstab (kartografisch)
Angaben zur Projektion (kartografisch)
Angaben zu Koordinaten (kartografisch)
Angaben zum Maßstab (architektonisch)
Issuing jurisdiction and denomination (philatelic)
Bereich "Entstehungszeitraum"
Datum/Laufzeit
-
[1937]-2011 (Anlage)
- Urheber/Bestandsbildner
- Lochhead, Ken
Bereich 'Physische Beschreibung'
Physische Beschreibung
Publisher's series area
Haupttitel der Verlagsreihe
Parallel titles of publisher's series
Other title information of publisher's series
Statement of responsibility relating to publisher's series
Numbering within publisher's series
Note on publisher's series
Bereich "Archivische Beschreibung"
Name des Bestandsbildners
Biographische Angaben
Kenneth Lochhead was born in Ottawa in 1926. His major art training came from the Pennsylvania Academy of the Fine Arts, Philadelphia (1945-1949). At the same time, Lochhead studied at the Barnes Foundation, Merlon, Pa., from 1946 to 1948. Several scholarships allowed him to study in England, Holland, Belgium, France, Spain, Italy, Switzerland and western Canada. After several short assignments, Lochhead was hired by the University of Saskatchewan, Regina College, in 1950 to direct the School of Art. He was also charged by Dean Riddell to develop what became the Norman Mackenzie Art Gallery.
Under Lochhead's guidance, both the School and the Gallery flourished, attracting vibrant personalities and generating excitement. At this time Lochhead developed a distinctive style, producing such notable works as "The Kite" (1952), "The Dignitary" and "The Bonspiel" (1954). As well, he began to win major commissions, completing an enormous wall mural at Gander Airport in Newfoundland in 1957-58.
It was Lochhead's influence on the Emma Lake Artists' Workshops, however, that attracted the most attention to the prairie region. With the summer series led by such New York artists as Herman Cherry, Barnett Newman, Kenneth Noland, and Jules Olitski, international attention was suddenly focused to the north.
With Art McKay, Ron Bloore, Ted Godwin, and Doug Morton, Lochhead displayed his paintings at the National Gallery of Canada in 1961 in the show "Five Painters from Regina". In 1964, however, he was the first to leave Regina, accepting a teaching position with the University of Manitoba. He did not stay there, but went on to York University in Toronto and finally to the University of Ottawa.
Bestandsgeschichte
Eingrenzung und Inhalt
This collection consists of 1.82 metres of textual records, 1115 photographs (including 7 oversize and 5 panaramas), 1 slide, 2 audio cassette tapes, 3 contact prints, 13 folders of oversize material and 3 oversize boxes. The date range is from [1937] to 2011.
Bereich "Anmerkungen"
Physischer Zustand
Abgebende Stelle
Ordnung und Klassifikation
The oversize material in folders and boxes was re-accessioned as 2014-71. The material in the collection, and original file lists created by Joanne Lochhead, (Mrs. Ken Lochhead) were sent to the Archives in February 2013 and accessioned as 2013-8. Oversize materials were subsequently removed. Preservation photocopying was carried out where necessary; audio cassettes, photographs and slide were numbered and sleeved and the oversized postcard album - Album of Postcards from Italy, collected when Ken went to Italy with his wife Patricia and sons Colin and Allan in 1958-59 was photographed digitally and printed for preservation purposes. The digital copy is copied to the University’s servers for interim preservation.
In der Verzeichnungseinheit enthaltene Sprache
Schrift in den Unterlagen
Aufbewahrungsort der Originale
Verfügbarkeit anderer Formate
Zugangsbeschränkungen
The tax records in this collection are Closed to researchers without permission from the Archivist.
Bestimmungen, die die Benutzung, Reproduktion und Veröffentlichung regeln
Findmittel
Verbundene Materialien
Zuwächse
None are expected.
Alternative Identifikatoren/Signaturen
Standardnummer
Standardnummer
Zugriffspunkte
Zugriffspunkte (Thema)
Zugriffspunkte (Ort)
Zugriffspunkte (Name)
Zugriffspunkte (Genre)
Bereich "Kontrolle"
Beschreibungsdatensatzkennzahl
Archivcode
Regeln und/oder Konventionen
RAD
Status
Erschließungstiefe
Daten der Bestandsbildung, der Überprüfung und der Skartierung/Kassierung
September 2013 (Creation)
