Accession 2013-8 - Ken Lochhead

Open original Objeto digital

Área de título y declaración de responsabilidad

Título apropiado

Ken Lochhead

Tipo general de material

  • Soportes múltiples

Título paralelo

Otra información de título

Título declaración de responsabilidad

Título notas

Nivel de descripción

Accession

Código de referencia

CA URASC F3-2013-8

Área de edición

Declaración de edición

Declaración de responsabilidad de edición

Área de detalles específicos de la clase de material

Mención de la escala (cartográfica)

Mención de proyección (cartográfica)

Mención de coordenadas (cartográfica)

Mención de la escala (arquitectónica)

Jurisdicción de emisión y denominación (filatélico)

Área de fechas de creación

Fecha(s)

  • [1937]-2011 (Creación)
    Creador
    Lochhead, Ken

Área de descripción física

Descripción física

Área de series editoriales

Título apropiado de las series del editor

Títulos paralelos de serie editorial

Otra información de título de las series editoriales

Declaración de responsabilidad relativa a las series editoriales

Numeración dentro de la serie editorial

Nota en las series editoriales

Área de descripción del archivo

Nombre del productor

(1926-2006)

Historia biográfica

Kenneth Lochhead was born in Ottawa in 1926. His major art training came from the Pennsylvania Academy of the Fine Arts, Philadelphia (1945-1949). At the same time, Lochhead studied at the Barnes Foundation, Merlon, Pa., from 1946 to 1948. Several scholarships allowed him to study in England, Holland, Belgium, France, Spain, Italy, Switzerland and western Canada. After several short assignments, Lochhead was hired by the University of Saskatchewan, Regina College, in 1950 to direct the School of Art. He was also charged by Dean Riddell to develop what became the Norman Mackenzie Art Gallery.

Under Lochhead's guidance, both the School and the Gallery flourished, attracting vibrant personalities and generating excitement. At this time Lochhead developed a distinctive style, producing such notable works as "The Kite" (1952), "The Dignitary" and "The Bonspiel" (1954). As well, he began to win major commissions, completing an enormous wall mural at Gander Airport in Newfoundland in 1957-58.

It was Lochhead's influence on the Emma Lake Artists' Workshops, however, that attracted the most attention to the prairie region. With the summer series led by such New York artists as Herman Cherry, Barnett Newman, Kenneth Noland, and Jules Olitski, international attention was suddenly focused to the north.

With Art McKay, Ron Bloore, Ted Godwin, and Doug Morton, Lochhead displayed his paintings at the National Gallery of Canada in 1961 in the show "Five Painters from Regina". In 1964, however, he was the first to leave Regina, accepting a teaching position with the University of Manitoba. He did not stay there, but went on to York University in Toronto and finally to the University of Ottawa.

Historial de custodia

Alcance y contenido

This collection consists of 1.82 metres of textual records, 1115 photographs (including 7 oversize and 5 panaramas), 1 slide, 2 audio cassette tapes, 3 contact prints, 13 folders of oversize material and 3 oversize boxes. The date range is from [1937] to 2011.

Área de notas

Condiciones físicas

Origen del ingreso

Arreglo

The oversize material in folders and boxes was re-accessioned as 2014-71. The material in the collection, and original file lists created by Joanne Lochhead, (Mrs. Ken Lochhead) were sent to the Archives in February 2013 and accessioned as 2013-8. Oversize materials were subsequently removed. Preservation photocopying was carried out where necessary; audio cassettes, photographs and slide were numbered and sleeved and the oversized postcard album - Album of Postcards from Italy, collected when Ken went to Italy with his wife Patricia and sons Colin and Allan in 1958-59 was photographed digitally and printed for preservation purposes. The digital copy is copied to the University’s servers for interim preservation.

Idioma del material

    Escritura del material

      Ubicación de los originales

      Disponibilidad de otros formatos

      Restricciones de acceso

      The tax records in this collection are Closed to researchers without permission from the Archivist.

      Condiciones de uso, reproducción, y publicación

      Instrumentos de descripción

      Materiales asociados

      Materiales relacionados

      Acumulaciones

      None are expected.

      Identificador/es alternativo(os)

      Número estándar

      Número estándar

      Puntos de acceso

      Puntos de acceso por materia

      Puntos de acceso por lugar

      Puntos de acceso por autoridad

      Tipo de puntos de acceso

      Área de control

      Identificador de registro de descripción

      Identificador de la institución

      URASC

      Reglas o convenciones

      RAD

      Estado de elaboración

      Borrador

      Nivel de detalle

      Parcial

      Fechas de creación, revisión o eliminación

      September 2013 (Creation)

      Idioma de descripción

        Escritura de la descripción

          Fuentes

          Objeto digital (Ejemplar original), área de permisos

          Objeto digital (Referencia), área de permisos

          Objeto digital (Miniatura), área de permisos

          Área de Ingreso