Accession 2013-8 - Ken Lochhead

Open original Digital object

Title and statement of responsibility area

Title proper

Ken Lochhead

General material designation

  • multiple media

Parallel title

Other title information

Title statements of responsibility

Title notes

Level of description

Accession

Reference code

CA URASC F3-2013-8

Edition area

Edition statement

Edition statement of responsibility

Class of material specific details area

Statement of scale (cartographic)

Statement of projection (cartographic)

Statement of coordinates (cartographic)

Statement of scale (architectural)

Issuing jurisdiction and denomination (philatelic)

Dates of creation area

Date(s)

  • [1937]-2011 (Creation)
    Creator
    Lochhead, Ken

Physical description area

Physical description

Publisher's series area

Title proper of publisher's series

Parallel titles of publisher's series

Other title information of publisher's series

Statement of responsibility relating to publisher's series

Numbering within publisher's series

Note on publisher's series

Archival description area

Name of creator

(1926-2006)

Biographical history

Kenneth Lochhead was born in Ottawa in 1926. His major art training came from the Pennsylvania Academy of the Fine Arts, Philadelphia (1945-1949). At the same time, Lochhead studied at the Barnes Foundation, Merlon, Pa., from 1946 to 1948. Several scholarships allowed him to study in England, Holland, Belgium, France, Spain, Italy, Switzerland and western Canada. After several short assignments, Lochhead was hired by the University of Saskatchewan, Regina College, in 1950 to direct the School of Art. He was also charged by Dean Riddell to develop what became the Norman Mackenzie Art Gallery.

Under Lochhead's guidance, both the School and the Gallery flourished, attracting vibrant personalities and generating excitement. At this time Lochhead developed a distinctive style, producing such notable works as "The Kite" (1952), "The Dignitary" and "The Bonspiel" (1954). As well, he began to win major commissions, completing an enormous wall mural at Gander Airport in Newfoundland in 1957-58.

It was Lochhead's influence on the Emma Lake Artists' Workshops, however, that attracted the most attention to the prairie region. With the summer series led by such New York artists as Herman Cherry, Barnett Newman, Kenneth Noland, and Jules Olitski, international attention was suddenly focused to the north.

With Art McKay, Ron Bloore, Ted Godwin, and Doug Morton, Lochhead displayed his paintings at the National Gallery of Canada in 1961 in the show "Five Painters from Regina". In 1964, however, he was the first to leave Regina, accepting a teaching position with the University of Manitoba. He did not stay there, but went on to York University in Toronto and finally to the University of Ottawa.

Custodial history

Scope and content

This collection consists of 1.82 metres of textual records, 1115 photographs (including 7 oversize and 5 panaramas), 1 slide, 2 audio cassette tapes, 3 contact prints, 13 folders of oversize material and 3 oversize boxes. The date range is from [1937] to 2011.

Notes area

Physical condition

Immediate source of acquisition

Arrangement

The oversize material in folders and boxes was re-accessioned as 2014-71. The material in the collection, and original file lists created by Joanne Lochhead, (Mrs. Ken Lochhead) were sent to the Archives in February 2013 and accessioned as 2013-8. Oversize materials were subsequently removed. Preservation photocopying was carried out where necessary; audio cassettes, photographs and slide were numbered and sleeved and the oversized postcard album - Album of Postcards from Italy, collected when Ken went to Italy with his wife Patricia and sons Colin and Allan in 1958-59 was photographed digitally and printed for preservation purposes. The digital copy is copied to the University’s servers for interim preservation.

Language of material

    Script of material

      Location of originals

      Availability of other formats

      Restrictions on access

      The tax records in this collection are Closed to researchers without permission from the Archivist.

      Terms governing use, reproduction, and publication

      Finding aids

      Associated materials

      Related materials

      Accruals

      None are expected.

      Alternative identifier(s)

      Standard number

      Standard number

      Access points

      Subject access points

      Place access points

      Name access points

      Genre access points

      Control area

      Description record identifier

      Institution identifier

      URASC

      Rules or conventions

      RAD

      Status

      Draft

      Level of detail

      Partial

      Dates of creation, revision and deletion

      September 2013 (Creation)

      Language of description

        Script of description

          Sources

          Digital object (Master) rights area

          Digital object (Reference) rights area

          Digital object (Thumbnail) rights area

          Accession area