Accession 2014-71 - Ken Lochhead

Open original Digitales Objekt

Bereich 'Titel und Anmerkung zur Verantwortlichkeit'

Haupttitel

Ken Lochhead

Allgemeine Werkstoffbezeichnung

  • Grafik(en)

Paralleler Titel

Andere Titelinformation

Titelangaben zur Verantwortlichkeit

Anmerkungen zum Titel

Erschließungsstufe

Accession

Signatur

CA URASC F3-2014-71

Bereich "Edition"

Edition statement

Edition statement of responsibility

Class of material specific details area

Angaben zum Maßstab (kartografisch)

Angaben zur Projektion (kartografisch)

Angaben zu Koordinaten (kartografisch)

Angaben zum Maßstab (architektonisch)

Issuing jurisdiction and denomination (philatelic)

Bereich "Entstehungszeitraum"

Datum/Laufzeit

  • 1943-1990 (Anlage)
    Urheber/Bestandsbildner
    Lochhead, Ken

Bereich 'Physische Beschreibung'

Physische Beschreibung

Publisher's series area

Haupttitel der Verlagsreihe

Parallel titles of publisher's series

Other title information of publisher's series

Statement of responsibility relating to publisher's series

Numbering within publisher's series

Note on publisher's series

Bereich "Archivische Beschreibung"

Name des Bestandsbildners

(1926-2006)

Biographische Angaben

Kenneth Lochhead was born in Ottawa in 1926. His major art training came from the Pennsylvania Academy of the Fine Arts, Philadelphia (1945-1949). At the same time, Lochhead studied at the Barnes Foundation, Merlon, Pa., from 1946 to 1948. Several scholarships allowed him to study in England, Holland, Belgium, France, Spain, Italy, Switzerland and western Canada. After several short assignments, Lochhead was hired by the University of Saskatchewan, Regina College, in 1950 to direct the School of Art. He was also charged by Dean Riddell to develop what became the Norman Mackenzie Art Gallery.

Under Lochhead's guidance, both the School and the Gallery flourished, attracting vibrant personalities and generating excitement. At this time Lochhead developed a distinctive style, producing such notable works as "The Kite" (1952), "The Dignitary" and "The Bonspiel" (1954). As well, he began to win major commissions, completing an enormous wall mural at Gander Airport in Newfoundland in 1957-58.

It was Lochhead's influence on the Emma Lake Artists' Workshops, however, that attracted the most attention to the prairie region. With the summer series led by such New York artists as Herman Cherry, Barnett Newman, Kenneth Noland, and Jules Olitski, international attention was suddenly focused to the north.

With Art McKay, Ron Bloore, Ted Godwin, and Doug Morton, Lochhead displayed his paintings at the National Gallery of Canada in 1961 in the show "Five Painters from Regina". In 1964, however, he was the first to leave Regina, accepting a teaching position with the University of Manitoba. He did not stay there, but went on to York University in Toronto and finally to the University of Ottawa.

Bestandsgeschichte

Eingrenzung und Inhalt

This collection consists of 8 centimetres of oversize material. The date range is from 1943-1990.

Bereich "Anmerkungen"

Physischer Zustand

Abgebende Stelle

Ordnung und Klassifikation

The material in the collection, and original file lists created by Joanne Lochhead, (Mrs. Ken Lochhead) were sent to the Archives in February 2013 and accessioned as 2013-8. Oversize material were subsequently removed and accessioned as 2014-71. The box and file numbering reflects the original numbering used when the 2013-8 collection was processed.

In der Verzeichnungseinheit enthaltene Sprache

    Schrift in den Unterlagen

      Aufbewahrungsort der Originale

      Verfügbarkeit anderer Formate

      Zugangsbeschränkungen

      There are no restrictions on access to this material.

      Bestimmungen, die die Benutzung, Reproduktion und Veröffentlichung regeln

      Findmittel

      Verbundene Materialien

      Verwandte Materialien

      Zuwächse

      None are expected

      Alternative Identifikatoren/Signaturen

      Standardnummer

      Standardnummer

      Zugriffspunkte

      Zugriffspunkte (Thema)

      Zugriffspunkte (Ort)

      Zugriffspunkte (Name)

      Zugriffspunkte (Genre)

      Bereich "Kontrolle"

      Beschreibungsdatensatzkennzahl

      Archivcode

      URASC

      Regeln und/oder Konventionen

      RAD

      Status

      Entwurf

      Erschließungstiefe

      Teilweise

      Daten der Bestandsbildung, der Überprüfung und der Skartierung/Kassierung

      January 2016 (Creation)

      Sprache der Beschreibung

        Schrift der Beschreibung

          Quellen

          Digitales Objekt (Original) Bereich "Rechtsfragen"

          Digitales Objekt (Verweis) Bereich "Rechtsfragen"

          Digitales Objekt (Miniaturbild) Bereich "Rechtsfragen"

          Bereich Zugang