Accession 94-50 - Ron Bloore

Open original Digitales Objekt

Bereich 'Titel und Anmerkung zur Verantwortlichkeit'

Haupttitel

Ron Bloore

Allgemeine Werkstoffbezeichnung

  • Multimedia

Paralleler Titel

Andere Titelinformation

Titelangaben zur Verantwortlichkeit

Anmerkungen zum Titel

Erschließungsstufe

Accession

Signatur

CA URASC F14-94-50

Bereich "Edition"

Edition statement

Edition statement of responsibility

Class of material specific details area

Angaben zum Maßstab (kartografisch)

Angaben zur Projektion (kartografisch)

Angaben zu Koordinaten (kartografisch)

Angaben zum Maßstab (architektonisch)

Issuing jurisdiction and denomination (philatelic)

Bereich "Entstehungszeitraum"

Datum/Laufzeit

  • 1967-1992 (Anlage)
    Urheber/Bestandsbildner
    Bloore, Ron

Bereich 'Physische Beschreibung'

Physische Beschreibung

1.06 linear meters of multiple media.

Publisher's series area

Haupttitel der Verlagsreihe

Parallel titles of publisher's series

Other title information of publisher's series

Statement of responsibility relating to publisher's series

Numbering within publisher's series

Note on publisher's series

Bereich "Archivische Beschreibung"

Name des Bestandsbildners

(1925-2009)

Biographische Angaben

Ronald L. Bloore was born May 29, 1925 in Brampton, Ontario. He studied art and archaeology at the University of Toronto (1949), the Institute of Fine Arts, New York University (1949-51), Washington University in St. Louis (1953), Belgian-American Art Seminar in Brussels and Antwerp (1955), and the Courtault Institute, University of London, England (1955-57). After brief teaching stints at Brixton Day College in England and the University of Toronto, Bloore became an Instructor of art and archaeology at the University of Saskatchewan, Regina College and the Director of its Norman Mackenzie Art Gallery.

Bloore was based in Regina for only a brief period of time, from 1958 to 1966, but while there he made a deep and lasting impression. As Director of the Gallery he was noted for his energy and determination to bring the art world to the prairies. He sponsored and contributed to the infamous “Win Hedore” exhibit at the Mackenzie in 1961, where car parts and buckets of sand challenged viewers’ notions of art, and enraged the more conservative. He acquired the sculpture “Mother and Child” by Jacques Lipshitz - a bold and farsighted move.

Bloore exhibited with Ken Lochhead, Art McKay, Ted Godwin, and Doug Morton in the National Art Gallery’s “Five Painters from Regina” show in 1961. By 1964, however, the group had split up. Two years later Bloore left Regina to teach visual art and art history at York University in Toronto where he remained for the rest of his working career. Ron Bloore died on September 4, 2009.

Bestandsgeschichte

These papers were previously in the possession of Ron Bloore.

Eingrenzung und Inhalt

This collection consists of sketches, personal and work related correspondence, papers concerning the execution of Theodore Heinrich's last will and testament and photographs falling into 4 series: Ronald Bloore's personal photographs (#1-6, 238-290); Ron Bloore's studio and art works in progress (#7-237); photographs of Theodore Heinrich's collection of drawings and art works (#291-309, 311-324, 326-435); and Theodore Heinrich's personal photographs (#310, 325, 436-455).

Bereich "Anmerkungen"

Physischer Zustand

Abgebende Stelle

Ordnung und Klassifikation

Original order not deemed useable. Original file titles were used in most cases.

In der Verzeichnungseinheit enthaltene Sprache

    Schrift in den Unterlagen

      Aufbewahrungsort der Originale

      Basement

      Verfügbarkeit anderer Formate

      Zugangsbeschränkungen

      There are no restrictions on this material.

      Bestimmungen, die die Benutzung, Reproduktion und Veröffentlichung regeln

      Findmittel

      94-50

      Verbundene Materialien

      Verwandte Materialien

      Zuwächse

      Further accruals are not expected.

      Begleitmaterial

      Collection also includes 455 photographs: 20 x 25cm and smaller. - 11 oversize items: 37 x 54cm and smaller. - 1 microcassette.

      Alternative Identifikatoren/Signaturen

      Standardnummer

      Standardnummer

      Zugriffspunkte

      Zugriffspunkte (Thema)

      Zugriffspunkte (Ort)

      Zugriffspunkte (Name)

      Zugriffspunkte (Genre)

      Bereich "Kontrolle"

      Beschreibungsdatensatzkennzahl

      Archivcode

      URASC

      Regeln und/oder Konventionen

      Status

      Final

      Erschließungstiefe

      Teilweise

      Daten der Bestandsbildung, der Überprüfung und der Skartierung/Kassierung

      11 August 1994 (Creation), March 2016 (Revision)

      Sprache der Beschreibung

        Schrift der Beschreibung

          Quellen

          Digitales Objekt (Original) Bereich "Rechtsfragen"

          Digitales Objekt (Verweis) Bereich "Rechtsfragen"

          Digitales Objekt (Miniaturbild) Bereich "Rechtsfragen"

          Bereich Zugang