Fonds F37 - Roy Kiyooka Fonds

Bereich 'Titel und Anmerkung zur Verantwortlichkeit'

Haupttitel

Roy Kiyooka Fonds

Allgemeine Werkstoffbezeichnung

  • Grafik(en)

Paralleler Titel

Andere Titelinformation

Titelangaben zur Verantwortlichkeit

Anmerkungen zum Titel

Erschließungsstufe

Fonds

Signatur

CA URASC F37

Bereich "Edition"

Edition statement

Edition statement of responsibility

Class of material specific details area

Angaben zum Maßstab (kartografisch)

Angaben zur Projektion (kartografisch)

Angaben zu Koordinaten (kartografisch)

Angaben zum Maßstab (architektonisch)

Issuing jurisdiction and denomination (philatelic)

Bereich "Entstehungszeitraum"

Datum/Laufzeit

  • 1989 (Anlage)
    Urheber/Bestandsbildner
    Kiyooka, Roy

Bereich 'Physische Beschreibung'

Physische Beschreibung

Publisher's series area

Haupttitel der Verlagsreihe

Parallel titles of publisher's series

Other title information of publisher's series

Statement of responsibility relating to publisher's series

Numbering within publisher's series

Note on publisher's series

Bereich "Archivische Beschreibung"

Name des Bestandsbildners

(1926-1994)

Biographische Angaben

Roy Kenzie Kiyooka was an influential Canadian photographer, poet and artist of national and international acclaim. He was a second generation Japanese Canadian, born in Moose Jaw, Saskatchewan and raised in Calgary.

Kiyooka studied at the Southern Alberta Institute of Technology and Art, Alberta College of Art from 1946 to 1949, and in 1955 to 1956 he studied at the Instituto San Miguel de Allende in Mexico.

Following Kenneth Lochhead and Arthur McKay to the Regina College School of Art, he was the third instructor to be appointed. Along with Kenneth Lochhead and Arthur McKay, Doug Morton, Ted Godwin, Ron Bloore and Clifford Wiens were other artists heavily engaged in the Regina art scene. These young artists led the expansion of the Emma Lake Workshops by inviting major artists (or critics) as instructors. Kiyooka was one of the leading figures of this workshop and had great influence over decision making. The very successful 1959 workshop, which introduced abstract expressionist painting to Saskatchewan, was a crucial decision made by Kiyooka and his colleagues.

In 1960, Kiyooka’s new position at the Vancouver School of Art (Emily Carr College of Art and Design) required him to leave Regina, he became involved in poetry, photography, video, film, and music.

His book, Pear Tree Pomes, was nominated for the 1987 Governor General’s Award and in 1978, he was made an Officer of the Order of Canada

Bestandsgeschichte

Roy Kenzie Kiyooka was an influential Canadian photographer, poet and artist of national and international acclaim. He was a second generation Japanese Canadian, born in Moose Jaw, Saskatchewan and raised in Calgary.

Kiyooka studied at the Southern Alberta Institute of Technology and Art, Alberta College of Art from 1946 to 1949, and in 1955 to 1956 he studied at the Instituto San Miguel de Allende in Mexico.

Following Kenneth Lochhead and Arthur McKay to the Regina College School of Art, he was the third instructor to be appointed. Along with Kenneth Lochhead and Arthur McKay, Doug Morton, Ted Godwin, Ron Bloore and Clifford Wiens were other artists heavily engaged in the Regina art scene. These young artists led the expansion of the Emma Lake Workshops by inviting major artists (or critics) as instructors. Kiyooka was one of the leading figures of this workshop and had great influence over decision making. The very successful 1959 workshop, which introduced abstract expressionist painting to Saskatchewan, was a crucial decision made by Kiyooka and his colleagues.

In 1960, Kiyooka’s new position at the Vancouver School of Art (Emily Carr College of Art and Design) required him to leave Regina, he became involved in poetry, photography, video, film, and music.

His book, Pear Tree Pomes, was nominated for the 1987 Governor General’s Award and in 1978, he was made an Officer of the Order of Canada.

Eingrenzung und Inhalt

Bereich "Anmerkungen"

Physischer Zustand

Abgebende Stelle

Ordnung und Klassifikation

In der Verzeichnungseinheit enthaltene Sprache

    Schrift in den Unterlagen

      Aufbewahrungsort der Originale

      Verfügbarkeit anderer Formate

      Zugangsbeschränkungen

      Bestimmungen, die die Benutzung, Reproduktion und Veröffentlichung regeln

      Findmittel

      Verbundene Materialien

      Verwandte Materialien

      Zuwächse

      Alternative Identifikatoren/Signaturen

      Standardnummer

      Standardnummer

      Zugriffspunkte

      Zugriffspunkte (Thema)

      Zugriffspunkte (Ort)

      Zugriffspunkte (Name)

      Zugriffspunkte (Genre)

      Bereich "Kontrolle"

      Beschreibungsdatensatzkennzahl

      Archivcode

      URASC

      Regeln und/oder Konventionen

      RAD

      Status

      Entwurf

      Erschließungstiefe

      Teilweise

      Daten der Bestandsbildung, der Überprüfung und der Skartierung/Kassierung

      11 November 2025 (Creation)

      Sprache der Beschreibung

      • Englisch

      Schrift der Beschreibung

        Quellen

        Bereich Zugang