Fonds F37 - Roy Kiyooka Fonds

Area Judul dan Pernyataan Penanggungjawab

Judul yang sesuai

Roy Kiyooka Fonds

Untuk bahan umum

  • Bahan grafis

Judul paralel

Informasi judul lain

Pernyataan Judul Penanggungjawab

Catatan Judul

Level Deskripsi

Fonds

Kode referensi

CA URASC F37

Area edisi

Pernyataan edisi

Pernyataan penanggungjawab edisi

Area detail materi spesifik

Pernyataan skala (peta)

Pernyataan Proyeksi (Peta)

Pernyataan Koordinat (Peta)

Pernyataan skala (arsitektur)

Yurisdiksi dan denominasi yang menerbitkan (pilatelik)

Tanggal Area Penciptaan

Tanggal

  • 1989 (Penciptaan)
    Pencipta
    Kiyooka, Roy

Area deskripsi fisik

Deskripsi fisik

Area Series Penerbit

Judul dari series penerbit

Judul paralel dari series penerbit

Informasi judul lain dari series penerbit

Pernyataan Penanggungjawab yang berkaitan dengan series penerbit

Nomor seperti pada series penerbit

Catat pada layanan penerbit

Area Deskripsi Arsip

Nama Pencipta

(1926-1994)

Sejarah Biografi

Roy Kenzie Kiyooka was an influential Canadian photographer, poet and artist of national and international acclaim. He was a second generation Japanese Canadian, born in Moose Jaw, Saskatchewan and raised in Calgary.

Kiyooka studied at the Southern Alberta Institute of Technology and Art, Alberta College of Art from 1946 to 1949, and in 1955 to 1956 he studied at the Instituto San Miguel de Allende in Mexico.

Following Kenneth Lochhead and Arthur McKay to the Regina College School of Art, he was the third instructor to be appointed. Along with Kenneth Lochhead and Arthur McKay, Doug Morton, Ted Godwin, Ron Bloore and Clifford Wiens were other artists heavily engaged in the Regina art scene. These young artists led the expansion of the Emma Lake Workshops by inviting major artists (or critics) as instructors. Kiyooka was one of the leading figures of this workshop and had great influence over decision making. The very successful 1959 workshop, which introduced abstract expressionist painting to Saskatchewan, was a crucial decision made by Kiyooka and his colleagues.

In 1960, Kiyooka’s new position at the Vancouver School of Art (Emily Carr College of Art and Design) required him to leave Regina, he became involved in poetry, photography, video, film, and music.

His book, Pear Tree Pomes, was nominated for the 1987 Governor General’s Award and in 1978, he was made an Officer of the Order of Canada

Sejarah Pemeliharaan Arsip

Roy Kenzie Kiyooka was an influential Canadian photographer, poet and artist of national and international acclaim. He was a second generation Japanese Canadian, born in Moose Jaw, Saskatchewan and raised in Calgary.

Kiyooka studied at the Southern Alberta Institute of Technology and Art, Alberta College of Art from 1946 to 1949, and in 1955 to 1956 he studied at the Instituto San Miguel de Allende in Mexico.

Following Kenneth Lochhead and Arthur McKay to the Regina College School of Art, he was the third instructor to be appointed. Along with Kenneth Lochhead and Arthur McKay, Doug Morton, Ted Godwin, Ron Bloore and Clifford Wiens were other artists heavily engaged in the Regina art scene. These young artists led the expansion of the Emma Lake Workshops by inviting major artists (or critics) as instructors. Kiyooka was one of the leading figures of this workshop and had great influence over decision making. The very successful 1959 workshop, which introduced abstract expressionist painting to Saskatchewan, was a crucial decision made by Kiyooka and his colleagues.

In 1960, Kiyooka’s new position at the Vancouver School of Art (Emily Carr College of Art and Design) required him to leave Regina, he became involved in poetry, photography, video, film, and music.

His book, Pear Tree Pomes, was nominated for the 1987 Governor General’s Award and in 1978, he was made an Officer of the Order of Canada.

Cakupan dan isi

Area Catatan

Kondisi fisik

Sumber akuisisi langsung

Penataan

Bahasa dari material

    Naskah Material Arsip

      Lokasi berkas original

      Ketersediaan dalam format lain

      Pembatasan Akses

      Istilah yang mengatur penggunaan, reproduksi, dan publikasi

      Sarana temu balik

      Bahan terkait

      Bahan yang berkaitan

      Akrual

      Kode unik alternatif

      Nomor standar

      Nomor standar

      Titik Temu

      Akses Poin Subjek

      Tempat akses poin

      Nama Akses Poin

      Akses poin genre

      Area Kontrol

      Deskripsi identifier arsip

      Kode unik lembaga

      URASC

      Peraturan atau Konvensi

      RAD

      Status

      Draf

      Level tingkat kedetailan

      Sebagian

      Tanggal untuk penciptaan, revisi, dan pemusnahan

      11 November 2025 (Creation)

      Bahasa dari deskripsi

      • Inggris

      Naskah Deskripsi Arsip

        Sumber

        Bagian akuisisi