Accession 2021-10 - Wilf Perreault

Open original Digital object

Title and statement of responsibility area

Title proper

Wilf Perreault

General material designation

  • multiple media

Parallel title

Other title information

Title statements of responsibility

Title notes

Level of description

Accession

Reference code

CA URASC F1-2021-10

Edition area

Edition statement

Edition statement of responsibility

Class of material specific details area

Statement of scale (cartographic)

Statement of projection (cartographic)

Statement of coordinates (cartographic)

Statement of scale (architectural)

Issuing jurisdiction and denomination (philatelic)

Dates of creation area

Date(s)

  • 1958-2021 (Creation)
    Creator
    Perreault, Wilf

Physical description area

Physical description

Publisher's series area

Title proper of publisher's series

Parallel titles of publisher's series

Other title information of publisher's series

Statement of responsibility relating to publisher's series

Numbering within publisher's series

Note on publisher's series

Archival description area

Name of creator

(1947-)

Biographical history

Wilfrid Donat Perreault was born in Albertville, a small French community in northern Saskatchewan, on October 6th, 1947. While growing up, he received private art lessons from noted Saskatchewan artist Ernest Lindner. His art career began in 1964 with the Eagle Pencil Company art scholarship from the Canadian Society for Education Through Art. His interest was on representational paintings but the Saskatchewan art scene in the late 1960s and early 1970s was more focused on abstraction, so he entered university to focus on abstract sculpture. His teachers included Otto Rogers and Bill Epp, also influential Saskatchewan artists. In 1970, he graduated with a Bachelor of Art with Honours in Art from the University of Saskatchewan in Saskatoon, Saskatchewan. In 1971, he received a Bachelor of Education After Degree, again from the University of Saskatchewan, and he moved to Regina to teach at Archbishop M.C. O’Neill High School.

He began painting the back alleys of his new city while teaching until officially retiring in 2003. All the while, he produced hundreds of pieces of art, from sculptures, to water colour paintings, acrylic paintings, and original silk screen prints. He has taught several art classes for the public and sat on numerous judicial and curatorial committees for art shows and galas. He regularly donates paintings to local charities and fundraisers, highlighting the connection he feels to his community.

His art is not just of local interest, however. His paintings and prints are found in collections all over the country, as well as internationally. Most notably, his work can be found among collections owned by Goldman Sachs and Co., New York; Petro Canada, Calgary; Edmonton Art Gallery, Edmonton; Canadian Imperial Bank of Commerce, Toronto; and Potash Corporation of Saskatchewan, Saskatoon; among many others. He has exhibited his artwork at numerous galleries in solo exhibitions in Regina, Edmonton, Vancouver, and Winnipeg, but has also presented as part of group exhibitions in Ireland, Toronto, Seattle, Los Angeles, Morocco, San Francisco, Chicago, and many others. Over his career, he has received many awards, including the Queen’s Jubilee Medal (2003), a Silver Medal while representing Canada at ler Jeux De La Francophonie in Maroc, Africa (1989), and the Saskatchewan Order of Merit in 2016. Perreault was elected to the Royal Canadian Academy of Arts and in 2003 retired from teaching.

Perreault married Sandra Thorpe on August 15th, 1969 in Saskatoon, Saskatchewan and raised a family in Regina. Their daughter, Meagan Perreault, purchased the Susan Whitney Art Gallery from Susan Whitney and renamed the space the Nouveau Gallery. Although he spends most of his time in the studio, he is an avid fan of twilight golf, stating that he goes to the studio to play and the golf course to work. Although he has been an artist for over 60 years, Perreault continues to love his work because painting brings him joy.

Custodial history

The collection was donated to Archives and Special Collection by the artist on June 21, 2021 and August 25, 2021.

Scope and content

This collection ranges in date from 1958 to 2021. There is 806 centimeters of textual records and other materials (20 artifacts, 5 contact prints, 128 inkjet prints, 3 negatives (4x5), 13 negative strips, 68 oversize, 211 photographs, 19 postcards, 6 sketchbooks, 6 slides, 21 transparencies, and 1 USB). The Print Collection includes 46 Christmas cards prints and 87 Silkscreen prints. Also, included in the collection are 207 artworks (Loose Sketches and Paintings). Indices and Reference Images are available.

Notes area

Physical condition

Immediate source of acquisition

Arrangement

New file order and file titles generated to provide easy subject accessibility. The artifacts, artworks, contact prints, inkjet prints, negatives (4x5), negative strips, oversize, photographs, postcards, sketchbooks, slides, transparencies, and USB were numbered and indexed. Also, Christmas cards prints and silkscreen prints have been numbered and indexed. This collection is held in various locations of the Archives and Special Collections (13-13 cm Hollinger Boxes, 1-6 cm Hollinger Box, 8-13 cm Oversize Hollinger Boxes, 5-64 cm Oversize Newspaper Boxes, 1-53 cm Oversize Newspaper Box, 3-2 cm Oversize Map Folders, and 74-2 cm Oversize Coroplast Folders).

Language of material

    Script of material

      Location of originals

      Availability of other formats

      Restrictions on access

      Open to researchers; however there are folders marked closed within the collection.

      Terms governing use, reproduction, and publication

      The legal agreement is pending.

      Finding aids

      Associated materials

      Related materials

      Accruals

      Future accruals are expected.

      General note

      Includes indices (Artifact Index, Artwork Metadata Index, Christmas Card Print Metadata Index, Contact Print Index, Inkjet Photograph Index, Negative Strip Index, Oversize Index, Photograph Index, Postcard Index, Silkscreen Print Metadata Index, Sketchbook Metadata Index, Slide Index, Transparency index, and USB index), inventories (Christmas Card Print Fond inventory, Silkscreen Print Fond 1-46 inventory 1 of 2, and Silkscreen Print Fond 47-86 inventory 2 of 2), and Oversize Separation Sheet. Also, includes reference images (Artifact Reference Images, Artwork Reference Images, Christmas Card Print Reference Images, Oversize Reference Images, News Clippings about Wilf Perreault Reference Images, Photograph Album Reference Images, and Silkscreen Print Reference Images), Exhibition Reference Guides Images, and USB contents from Wilf Perreault.

      Alternative identifier(s)

      Standard number

      Standard number

      Access points

      Subject access points

      Place access points

      Name access points

      Genre access points

      Control area

      Description record identifier

      Institution identifier

      URASC

      Rules or conventions

      RAD

      Status

      Draft

      Level of detail

      Partial

      Dates of creation, revision and deletion

      July 2021 (Creation)

      Language of description

        Script of description

          Sources

          Digital object (Master) rights area

          Digital object (Reference) rights area

          Digital object (Thumbnail) rights area

          Accession area